Well if my heart’s soaking wet, boy your boots can leave a mess
Hey Jupiter, nothing’s been the same
So are you gay? Are you blue?
Thought we both could use a friend to run to
Although Tori Amos sounds like the last thing one should listen to when depressed, her songs can actually be therapeutic for anyone willing to go beyond the apparent opaqueness of her kooky lyrics. Tori’s (arguably) best work is Boys For Pele, her third release with a title that alludes to offering boys to the Hawaiian volcano goddess. First impressions tell us it is an angry album. Tori is angry at many people: at boys she wronged, at boys who wronged her, and at girls who took boys from her (Along with Mary Magdalene, Courtney Love seems to be her favorite female subject. See Professional Widow, Mr. Zebra and Taxi Ride for perfect examples). As the seemingly man-hating record progresses however, Tori reveals her vulnerability. From a screaming, angry woman, she becomes sympathetic, pathetic, needy, guilty, remorseful, tender, and hopeful. Apart from Hey Jupiter, other Pele highlights include Caught a Lite Sneeze, Father Lucifer, Marianne and Putting the Damage On.

One of my favorite lines comes from the deceptively sweet Doughnut Song. God forbid I’d be channeling this in the future:
You told me last night you were a sun now
With your very own devoted satellite
Happy for you and I am sure that I hate you








